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BASIC YOGIC
BREATHING CONTROL "PRANAYAMA"
Prana has been said to translate as "breath." In actuality, the Sanskrit
word "Prana" means life-force or life-energy. In fact, classic Pranayama
with its inhale/retain/exhale teaches that during the retention segment, one should
consciously retain the prana, then release the ordinary oxygen from the lungs during
exhalation, storing the prana in the solar plexis (power) chakra.
Pranamaya is the "science
of prana," and linear yards of books have been written about it! However, prana
is the basis of Hatha Yoga, and should be studied by anyone on a spiritual path,
eastern or western.
Interestingly, the literal transliteration is Prana + Yama. Yama has a dual meaning:
restraint and death. ;) Meditate on that!!
It would be impossible to go into
any detail without taking up gig's of memory, but I've included a few basic prana/breath
techniques for novices interested in getting started--they're also useful for more
experienced people as regular practice.
"Breath is Life. He who controls
breath controls life."
"When the breath is controlled, the mind is controlled."
"When Prana is met and conquered, one gains ascendency over death."
"Prana, the vital breath,
is born of Self. Like a person and his shadow, the Self and the Prana are inseparable.
Prana enters the body at birth, but does not die with the body." --Prana Upanisad.
"The wise speak not of senses
of speech, sight, hearing, feeling, but only of a grou of Pranas, for these are
all the manifestations of Prana." --Ch arakha Samhita.
Let's get *BASIC* now!!
Several of the oldest Tantras
state that the body is a Yantra, the breath its Mantra. In order to facilitate better
understanding of this concept. "Bhramari Breath" is an excellent starting
point. It is simple, aids concentration, and provides a feeling of oneness with
body and breath, a consciousness, rather than a simple autonomic nervous system
function.
Technique:
Take a deep breath, exhale all
stale air from lungs, contracting abdominal muscles to squeeze out the last remnants.
Inhale through the *nose* while making a buzzing sound, like that of a bee, with
the inhalation. Retain for a few seconds (as long as comfortable; working toward
longer retention with practice, but not forcing), concentrating on storing the Prana
Energy in the solar plexus (*manipura chakra*; literally manipura means 'jewel of
great consciousness) --or for non-chakra oriented people, the area above the navel--and
separating the Prana from the regular "air." Now exhale, through the nose,
making a humming sound. Focus your mind on the sounds during inhalation and exhalation,
on vital life energy being stored and saved during breath retention. Each in-retain-out
counts as one "cycle."
Begin with five or so cycles, adding more as you master Bhramari Breath and it becomes
natural to you.
COMPLETE
BREATH is the second basic
that should be mastered. Most people breathe shallowly, and even those who draw
breath down to the abdomen consciously may be missing a step along the way!
Again, blow out all air, contracting abdomen to help. Inhale deeply, *pulling* the
breath toward the abdomen, expanding it. Continue inhaling, next *pulling* into
the rib cage/middle of lungs. Continue, *pulling* breath into upper lungs, chest,
and throat area. Retain for a few seconds; be sure your face is relaxed. No tension.
Let it be natural.
Exhale slowly, releasing air oppositely from inhalation: first *pull* out of throat/chest,
then from ribcage/mid lungs, finally *pull* from the abdomen, contracting abdominus
recti, forcing all air out. Work up to longer inhalation/retention/exhalation holds
as complete breath becomes more natural.
Do not "count" with a clock; allow your body to be your clock.
The ratio sould be 1:1:1 with complete breath, unlike certain other prana techniques.
As well as the mental/mystical benefits, complete breath increases oxygen supply
to the blood--hemoglobin levels. Also slows the heart rate. Calming effect on central
nervous system. Complete breath is used in conjunction with many Hatha Yoga a sanas
(*postures*).
VITALIC
BREATH:
Very easy. Strengthens lungs, energizes.
Breathe through nose in short, sharp sniffs until lungs are expanded to capacity.
Blow out through mouth, making a loud
HAAA! sound. If desired,
focus on bringing in energizing prana, blowing out all tension and anything that
separates you from realizing your spiritual goals.
KAPALABHATHI:
Also easy to master. There
are many variations; this being a quite simple rendering, no less beneficial than
more advanced techniques.
Sit in Lotus position, or with legs crossed; back and head kept straight. Inhale,
keep mouth closed, and "sneeze." With mouth closed--the lower abdomen
will balloon out. Snap it back in sharply.
Begin with ten-fifteen rounds, work up to 50 and above *naturally* without forcing.
You should feel nothing in upper lungs, chest, or throat area. On a purely physical
level, Kapalabhathi also pumps oxygen in, increases hemoglobin levels, has soothing
effect on many glands, and can be used for relief by asthmatics or smokers. Attention
focused on solar plexus chakra. After rounds complete, sit quietly, feeling bodily
changes and mental effects on yourSelf.
PRANA-VAYU
RASA:
or vigorous cycle. A recharging breath
cycle. To be performed while standing, with eyes closed, or turned upward, focused
on AJNA CHAKRA, the *third eye* chakra in middle of forehead.
(1)
Inhale, lock air in chest. Swing arms twice backward and twice forward vigorously.
Exhale.
(2) Inhale. Stretch arms forward at 90 degree
angle from body; swing them o ut sideways at shoulder level twice. Exhale, drop
arms.
(3) Inhale. Swing arms up twice and down
twice, parallel at sides, arch small of back slightly. Exhale, drop arms.
(4) Inhale, lock breath in chest again. Stretch
arms slowly forward. Clench fists and pull them against the chest. Retain breath
while shaking entire body. Exhale.
(5) Inhale. Swing arms overhead and bend
body to the right from the waist, *not* collapsing the ribcage. Concentrate on parts
being stretched. Exhale whi le straightening, repeat to the left.
(6) Inhale. Retain breath, massage ribs.
Exhale.
(7). Inhale. Retain breath, patting breasts
or pectoral muscles. Exhale.
NOTE: the idea of recharging prana is to tap
individual energy/life force (*Atman*) and unite it with universal energy/life force
(*Brahman*). Physically, it energizes, provides limbering of physical body, cleanses
and exercises lungs.
PRANA SUKHA/HEALING
BREATH:
Literally, "breath
of joy; joyous life-force." This breath is the simplest extension of simple
prana into "rhy thm." One must consciously alter the time spent on each
part of the breathing cycle. The rhythm of Prana Sukha is said to be perfectly suited
to extraction of vital energy from the atmosphere. The ratio of inhalation/retention/exhalation
is 1:4:2. In other words, inhale, hold breath four times as long as inhalation takes,
then exhale, taking twice as long as inhalation.
The inhalation establishes the time ratio for the other two; never progress into
discomfort.
Generally, begin by inhaling just slightly longer than when breathing unconsciously
and proportion retention and exhalation thereto. Gradually increase, to comfort.
Sukha slows down breathing process, which is beneficial to both body and mind.
IMPORTANT:
Do *not* "count" either mentally or verbally, the rhythm lengths. Counting
is a *logial* process which can sometimes interfere with meditative/spiritual *abstract*
practice. Measure the rhythm against pulse, heartbeat, or by focusing the mind on
the sounds of inhalation and exhalation of breath, and of the heart beating during
retention. This is ideal, as it creates an audio rhythm and helps the body and mind
merge. The Gheranda Samhita suggests: "In entering, the breath makes the sound
'SOH' and in exiting, the sound 'HAM.'
Thus the breath makes the power word SOHAM; (or, I am It). The subtle sound reverberates
in the root chakra, the heart chakra, and the third eye chakra. The Yogi should
perform this repetition consciously." Another measuring process is concentration
o n a mantra, such as AUM, or whatever one's personal prefernce.
Feel the rhythm of each AUM.
PRANA
AS APPLIED TO TANTRIC SEXUAL UNION
The above beginning prana practices
should be mastered first: they form the basis for deeper exploration into pranayama
and Hatha Yoga. There are many prana breaths which apply directly to Tantric practice
and Tantric lovemaking. A true follower of the Tantric path should develop complete
breath until it is totally natural; then healing breath to purify the vital and
subtle channels of the body. This, phy sical and emotional damage from the highly-charged,
intense energies created by Tantric Union can be prevented.
The flows of prana, the mind,
and sexual energy are interdependent. Breath control is vital to correct Tantric
Union; breath is power. Fear not the power; but lean to use it carefully. Yoga and
Tantric raditions believe in a five-fold division of Prana. "The original Prana
contains four other Pranas, each assigned to rule over a specific bodily function.
Together, these are the five subtle breaths."
The original Prana is seen as
upward moving; the Apana is downward moving. These are the first and most important
of the five suble breaths. Tantra seeks to reverse the flow of Prana and Apana,
then merge them, transforming the body/mind/soul. According to Krsna in the Bhagavad
Gita:
"Some Yogis offer the Prana into the Apana; others the Apana into the Prana."
NOTE: traditionally, the Prana is considered
*higher*, the Apana *lower*. Many spiritual paths have similar ideas; but remember,
in Tantric Pran ayama, they are not considered "good" vs. "bad,"
but different flows of energy, both vital, the union of which leads to enlightenment.
The Gorakasatakham (*teachings of a great Indian Guru) states: "The Atman (individual
soul) is in thrall to Prana and Apana. Whosoever knows and controls these two forces
is a true Yogi and will taste the ecstacy of Liberation. Draw up the Apana and unite
it with the Prana."
The five subtle breaths take place
in prana during the period of retention. Inhale Prana, as if it w ere a fluid, lighter
than water. During retention, *see* the air divide into earth, water, fire, air
and ether. Exhale with fire, burning up the impurities. Pause slightly before inhalation,
concentrating on impurities returning to *earth* for regeneration.
THE CROW BEAK: The very first to master prior to Tantric Union.
Roll the tongue into a "beak" drawing the sides inward to form a "straw"
or "tube." Protrude rolled tongue through slightly parted lips and inhale
through the tongue. Retain, exhale through nostrils. This process, also referred
to as "Sithali" (*cool*) cools the body, activates liver and spleen, and
strengthens the subtle pranas of *sight* and *sound.*
UNION OF
PRANA AND APANA:
Solar and lunar symbolism are central
to Tantra, as they are to many other mystical teachings of both east and west. Most,
interestingly, have similar meaning: anient Hebrew tradition conidered the sun masculine
and paternal, the moon feminine and maternal; Taoist Chinese tradition considered
the sun Yang/hot/mascul ine, the moon Yin/cool/feminine. As these beliefs developed
at different times in far-flung places, perhaps a "Jungian" archetypal
truth is at work here.
HA: literally sun.
THA: literally moon.
YOGA: derived from root word "Yug,"
meaning Yoke.
HATHA YOGA = union of sun and moon. Hatha Yoga is
derived from Pranayama. The breath is linked to celestial influences; thus, when
breath is controlled, the influences are controlled. The synthesis of HA and THA
brings equilibrium, union, the goal of all Yogis.
Tantra associates the Sun with
the right side of the body, masculine energy, the element of fire, the color red,
and intellect. The solar energy is stored in the solar plexus--power chakra--its
energy is upward flowing (pranic) and considered celestial energy.
The Moon is associated with the left side of the body, feminine energy, cooling
(Soma) quality, the color white, the element of water and the intuitive processes.
Lunar energy is stored between the Crown Chakra and Third-Eye Chakra, approximately
the hairline, in a crescent-shaped portal. Its energy is downward flowing (apanic)
and is considered earthly energy. The union of the two can be accomplished meditatively
in Savasana with the assistance of visualization. With or without visualization,
Pranayama has techniques to consciously unite HA and THA, both within the individual
and within a Tantric couple, one to the other. Below are a couple of Solar/Lunar
prana techniques.
ANALOMA-VILOMA
PRANAYAMA: Alternate Nostril
Breathing, also called SOLAR-LUNAR
BREATH. A major key to
control of sexual energy. Solar breath = Siva, transcendence; lunar breath = Sakthi,
creative energy.
When both exist in balance, the life-force travels the Great Axis (spinal column),
rising through the chakras. Solar-Lunar breath employed in Tantric Union provides
a thrill which impels the Atman in an evolutionary direction toward cosmic union
and enlightenment. But this breath must first be controlled through the practice
of *white* Tantra--solo, the union of HA and THA within oneSelf.
Technique:
Sit straight in Lotus or with
crossed legs, back and head straight. The rhythm may be 1:1:1 or 1:4:2, as with
healing breath above.
(1) Take right hand, bend index and middle
fingers into palm.
(2) place hand above nose. Exhale.
(3) Close right nostril with right thumb.
Inhale through left nostril, focusing mind on flow of air/ vital force/energy.
(4) Use thumb and ring finger to pinch both
nostrils
closed. Retain breath.
(5) Lift thumb, exhale through right nostril,
keeping left nostril closed with ring finger.
(6) Inhale through right nostril, focusing
as above.
(7) Pinch closed, retain breath.
(8) Exhale through left nostril, lifting
ring finger. This constitutes one complete "round" of Solar-Lunar breath.
Begin with five to ten repetitions of rounds; work up gradually to tolerance.
*White* or solo HA-THA breath
has physical benefits: balancing the breath greatly assists with gaining control
of parasympathetic processes such as heartbeat, circulation and body temperature.
It acts as something of a natural tranquilizer, calming nerves, relieving tension,
and quieting mind. Mystically, it helps the individual unite the forces within him/herself
and gain ascendency over Prana/Apana--which together equal the life force itself.
The GHERANDA
SAMHITA illustrates a
meditative white Tantric form of solar/lunar breathing: "Contemplate the primordial
seed sound YANG, of the air element and heart chakra,
and visualize this syllable as of a smoky color, filled with energy. Draw in the
breath through the le ft nostril, repeating the syllable mentally 16 times. Restrain
the breath while repeating the syllable mentally 64 times, then exhale all air through
the right nostril during the period required to mentally repeat the syllable YANG
32 times."
TANTRIC
PRANA PRACTICED BY A COUPLE, PRIOR TO TANTRIC SEXUAL UNION.
Ramana Dass illustrates one technique
for a couple to combine tantra with mantra through prana. "Experience the other
as a mirror of oneself;
identify each partner's dual nature; surrender to the imp ersonal flow of these
energies; and, finally, mege into that underlying union. Both partners sit in a
comfortable position facing each other. The gaze of each is directed to the right
eye and the breath coordinated in such a way that the inbreath of one partner is
the outbreath of the other.
Breathing is slow, deep, and trusting. Once coordination is established, both partners
should visualize ocean waves as the breath experience, rolling inward and outward.
After a short period, one partner begins to say, aloud, AUM with the outbreath,
directing the AUM to the heart chakra of the other. This process is reversed as
the first partner begins to breathe in anew, while the other now breathes out, AUM
on his or her outbreath. After several complete cycles, a deepening aof concentration
and fullness will be experienced by both, as well as a growing awareness of clear
love and unity. The final period of resting in the realization of oneness may be
had by closing the eyes while maintaining the sound and coordinated breathing."
PRANA DURING
TANTRIC UNION.
When one is ready for Tantric
lovemaking, the Siva and Sakthi principles unite within themSelves and each other.
There is a convergence and synchronization of their breaths; life-forces merging
into a vortex, physical and subtle energy exchange taking place. Lying on one side
causes the opposite side's nostril to dominate the breathing pattern.
The Tantras state that during lovemaking, the man should consciously draw in the
exhaled air from the woman's left nostril t hough his right nostril, and allow her
to consciously breathe in his exhaled breath from the right nostril through her
left nostril. Face-to-face lovemaking with each couple lying on his/her side facilitates
this exchange naturally.
One Tantric text states: "By
meditating on the breath during lovemaking one should seize the life-force of the
other with the life-force of oneSelf and bestow the life force of oneSelf on that
of the other."
During Tantric Union, the commitment of the couple is TOTAL--whether for the duration
of the Act alone, for some set time limitation, for life, or for Eternity. The exchange
of life forces, when done for the purpose of Tantric Commitment, binds souls together
for Eternity, far transcending the Christian "till death do us part."
FINAL THOUGHTS
FROM SOME MASTERS:
"The solar breath leads to
transcendence; the lunar breath is a form-giving substance. Their union evokes the
Eternal."--Prana
Upanisad.
"When the breath is unsteady,
all is unsteady; when the breath is still; all i s still. Control the breath carefully.
Inhalation gives strength and a controlled body; retention gives steadiness of mind
and longevity; exhalation purifies body and spirit."-- Goraksasathakam.
"The oracle of breath unfolds
its secrets to those who know the keys. The elements in breath are known as fire,
water, earth, air and ether."--Swara Chinthamani.
The above tactics and practices are taken from traditional sacred texts;
with some commentary added by Yogini Padma Ushas Suryananda, Tantric Dancing Yogini
of the Kali Yuga.
TAT
TWAT ASI
HARI AUM TAT SAT
AUM SHANTI
NAMASTE
TAT TWAM ASI
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